Archive for April, 2008

Looking forward, Flashing back…

Thursday, April 24th, 2008

Okay, so stepping away from the master-classes for a moment. I’ve just seen a preview of Daniel Craigs Brit-film ‘Flashbacks of a Fool’ and am resonating with the title, the story-line, the music and the locations - can’t wait (not that I am or have ever been, I hastily interject, any kind of movie star/ famous actor whose mouth is full of smart words and whose body is full of s****). My facebook friend Doug McFarlane, of UK Theatre Network and creator of ‘Making it in Hollywood’ sent me a message yesterday bemoaning the complete absence of British films at the Cannes Film Festival for the second year running (Frankly, if Sean Penn is the chair of the judges panel - should we be surpised?) Doug asks are we making good enough films in Britain ? Is the UK Film Council doing enough are we being too complacent? (see also www.britfilms.com) Probably. It should be easier to make a film in the UK - the Film Agency for Wales are busy blazing a trail - what’s to be done? Obviously it would be nice if all our acting talent didn’t trot off to LA for a better lifestyle and a living wage but then America’s bigger, the film industry older and more established, more varied with more choice and more money. Oh I don’t know I’ll have a good think about it whilst I’m watching ‘Flashbacks…’ at least I think I will, Daniel Craig is rather mesmeric on screen

Digg!

Masterclass Mania

Thursday, April 24th, 2008

Jason Hughes, Arts Award Champion
Last September, to celebrate the achievements of the first two years of the Art Award we launched a season of master classes across the south east. Recently I was invited via facebook to join the group ‘masterclass’ set up by the Theatre Royal, Haymarket and if you haven’t visited the masterclass website and are interested in theatre then I urge you to do so: www.masterclass.org.uk. It’s the way forward, giving aspiring young theatre practitioners (or actors and directors and writers, ‘creatives’ perhaps would be a good word) the opportunity to listen and meet ‘face-to-face’ in a thriving, professional working environment (as opposed to the sometimes more precious environs of drama school) with some of theatre’s heavy weights. These ‘down with the techno-theatre bods’ have also produced a useful DVD for aspiring drama students AND there is a link to their ‘rehearsal blog’ featuring video-casts of said rehearsals for the musical Margueritte starring Ruthie Henshall. Masterclasses may seem an old fashioned concept but mixed with some creative interactivity can be inspiring and affirming experiences. Here’s an extract from an article about our first master class last year: What do I do when I have to stop dancing? The basis for offering a master class was to build on an Arts Award national poll, where in the south the top ten names included admirable but largely dead artists such as Leonardo Da Vinci, Bob Dylan, Jane Austen and Peter Kay (obviously he’s still with us) as the nations favourite Arts Heroes and Heroines. The challenge being to attempt to ground the current thirst for quick fix fame and fortune and offer some balance against the desire to worship celebrity ‘idols’ rather than appreciate and value our gifted grass roots ‘artists’.
Our launch event at Brighton Dome featured a ‘creative industries panel’ where young people had the opportunity to learn more about the wider creative industries sector led by young people from Peer Productions in Woking, some of whom were amongst the first to achieve their Gold Awards in the South East and where participants got to meet face to face with people who had a proven track record in their careers and could demonstrate for example, that once you can no longer work as a dancer there are other opportunities open to you. Stars of that event were: Dave Philpot from Skint Record Label who came with freebies (smart move Dave) and John Manning, Freelance Casting Director who just about managed to escape with his integrity intact from the question, “so if I haven’t been to Drama School would you consider me for casting?”. Digg! (more…)

Malone makes a master class of a difference

Tuesday, April 22nd, 2008

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Amongst a mass of initiatives to increase young peoples access to ‘culture’ and the Arts and supported by a growing body of research that creativity is an essential tool to the well being and (self?) development of a persons journey through life, the Arts Award stands proud but not perhaps too loudly applauding it’s own achievements since launching in October 2005.

Attempting to raise the Awards profile across the south east, Artswork (the regional agency for the awards in the south east) has been working with the Arts Council Englands’ south east office to run a series of masterclasses to promote and raise awareness of the Arts Awards.

Actor, Jason Hughes launched the first session back in September at the Brighton Dome and was such a hit that he has since become an Arts Award Champion.  In March 2008 the equally charming Gareth Malone of BBC2’s ‘The Choir’  fame stepped up to the plate and delivered a really vibrant session in the Memorial Hall at Marlston School , West Berkshire.

In this world of ‘celebri-fanaticism’, where young people dream of achieving overnight celebrity over a more skilled approach to fame, it is refreshing to see TV personalities demonstrating that the Arts takes dedication, passion, commitment and hard work.

Does the Arts change lives as deeply as celebrity can? Well the body of case stories from the Arts Awards would certainly indicate that even low level participation in the arts can have a profound positive impact on young people. One young attender at the session at Marlston Hall, was so excited by her experience of joining the ensemble singing class and setting the old oak panels vibrating in the early evening victorian gothic gloom, that her key worker was in touch with Angela Turton from West Berkshire Cultural Services who helped co-ordinate the event the very next day.

“It is clear that last nights event has had a massive impact on *** and their self-esteem. According to her mum, her behaviour last night was remarkable and she even gave her mum a hug and a kiss before bedtime, which she hasn’t done for a very long time. I can’t stress how important this activity was for *** and without doubt she would benefit from getting involved in more activities of a similar nature and pursuing an Arts Award”. (Christopher H., Early Intervention Worker) 

That same young person, who came with her two support workers and not knowing anyone else present, commented that not only had she had a great time singing with Gareth but that she had also made some new friends. Also present were students from Willinks School and their music teacher Gavin Hurley, who was particularly pleased that members of the school choir had the opportunity to meet and work with Gareth as it was watching the first series of ‘The Choir’ that inspired the school to start their own school choir.

Apart from the warm-up exercises both singing and drama orientated that Gareth led, encouraging those present to think about the future and where they might see themselves in twenty years time and how they planned to get there (rather wittily one group responded by presenting a tableau of a plane and another group saw themselves growing up to become footballers wives) there was a guest appearance from Lissa Harmon who performed a rendition of a Barbara Streisand classic. Lissa an emerging singer who has been blind from birth, was a member of Chicken Shed theatre company and now performs singing gigs across North London and was present to help introduce an ‘inclusive singing’ project which West Berkshire hoped some of the masterclass participants would be involved with. The idea is for pupils from West Berkshire schools with an interest in singing, to pass on their skills and knowledge by coaching and mentoring students from special needs schools towards an interactive public peformance. Film will be used to include those project participants unable to attend showing them performing the same music and played simultaneously with the choir at the event. Importantly, every young person involved in the project will also have the opportunity to gain their bronze or silver Arts Award. Project Manager, Jamie Read was able to introduce himself and start the recruitment ball rolling alongside two of the head teachers from the Special Schools that hoped to participate.

The synergy of participating in a singing masterclass with a TV celeb who also happens to be passionate about what he does and is committed to encouraging young people to engage in music: the solo performance of Lissa and the introduction of an exciting opportunity, gave the whole session a really strong vibe. The queue for autographs at the end was so long that at one point the Arts Award Co-ordinator thought she might have to drive Gareth all the way back to London, as it looked like he might just miss his train!


Finding my talent

Monday, April 14th, 2008

Find your talent!?

Well i’m hardly hiding my light under a bushel Mr Brown!

Oh look! It’s another young person focussed initiative introduced by our culture-minded government, not only does every child matter but they’re also entitled to five hours of culture a day, oh sorry was it a week? well let’s face it, it’s more likely to be a month. There’s something vaguely disturbing about the phrase ‘find your talent’ when applied to young people - it implies that they’ve either lost their bottomless capacity to be good at many things or have carelessly left their talent at a bus stop or on a bench somewhere along with yesterdays homework. It doesn’t conjure up images of self-discovery or the excitement of trying something new, exploration and adventure. Of course young people should be exposed to culture, the arts and creativity there’s a building body of evidence to show what a positive impact participation in creative activity has on the brain, our ability to learn, absorb information, concentrate longer blah blah blah… the arts are great - however a mandatory five hours Mr Brown? Obviously bored with heaping ever changing goal-posts upon teachers you’re now looking to the beleagured arts world for your amusement.

Artsmonkey-ing about!

Sunday, April 13th, 2008

Had a lovely time recently, meeting and working with artists based in and around Swindon. Was given a new title ‘invisible trainer’ there’s a thought - invisible! Sort of fly-on-the-wall trainer gently nudging participants through the day - quite like it actually and loved the mention in the ‘end of day’ poem whisked out of nowhere by community poet Tony Hillier (www.tonyhillier.co.uk). Thank you Tony, you must have had x-ray specs to see us invisible trainers though - trust a community poet to have a pair of those handy!